In his blog, Derek Gregory reflects on his experience of Beirut in 2006, bombing from the air, acts of refusal to bomb, and the connections of one particular refusal with the artwork of Akram Zaatari.
My first attempt to think through the histories and geographies of bombing from the air was, appropriately enough, a plenary address to the Arab World Geographerconference in Beirut in 2006 – a meeting which had had to be postponed until December as a result of Israel’s summer-long attack on Lebanon. Registrations fell away, especially from the United States and the U.K., but we had a wonderfully lively meeting.
I eventually turned my presentation – which, under the title “The death of the civilian”, developed the twin genealogies of the target and the civilian to address Israel’s bombing of southern Lebanon and Beirut – into an essay for the journal: “In another time zone, the bombs fall unsafely: Targets, civilians and late modern war”(published in 2007: see DOWNLOADS tab).
I began like this:
My title comes from a poem by Blake Morrison, ‘Stop’, which was reprinted in…
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